Morgana Warren-Jones is a highly versatile mezzo-soprano from North Wales. She is an expressive performer and sensitive musician working on both the concert platform and operatic stage, with a particular interest in baroque and contemporary music. Described by theArtsDesk as ‘a singer who can act with skill and shine immediately when her time comes’, Morgana is passionate about sincere and compelling storytelling.
“The role of Fanny Price, a heroine whose self-description is “I was quiet, but I was not blind” (and perhaps the closest to a self-portrait that Austen ever created), is a challenge precisely because of her subservience through much of the action, and consequently needs a singer who can act with skill and shine immediately when her time comes. The RNCM has certainly found that in Morgana Warren-Jones.” - theArtsDesk
“It is a chilling production punctuated by the sparse modernity of the music. It is wonderfully inhabited by the powerful central performances of Georgie Malcom as Monica and Morgana Warren-Jones as Madame Flora.” - Northern Soul
“But standing out among an excellent ensemble overall are Jared Michaud’s wide boy Barabashkin (the manager of the block of flats the others move into); Dafydd Allen’s lovesick, self-pitying Boris; and Mica Smith and Morgana Warren-Jones as the some-are-more-equal, self-important couple Drebyednyetsov and Vava, who knock through a wall of their flat to another to create a luxury apartment as apparently befits his status as a party bureaucratic.” - Classical Source
“Outstanding for me among the principals in this cast were the tenor Rhys Meilyr, mezzo Morgana Warren-Jones and the Ukrainian soprano Khrystyna Makar, while the rich mezzo of Elizabeth Mwale made a strong impression in the semi-chorus.” - Clare Stevens
“Both the main characters and the chorus deserve nothing but praise, yet I would like to highlight three names that made this evening unforgettable: award-winning Samuel Snowden (Figaro, the barber), the Australian Sarah Prestwidge (Susanna, the servant), and the hilarious Morgana Warren- Jones (Marcellina, Figaro’s bride-to-be-then-turned-out-to-be-mother).” - Mancunion
“The singing is very accomplished and the orchestral playing excellent: conductor Lee Reynolds is going places and he brings the best out in all of them. It’s not right to compare the voice qualities on display (some are more mature than others and all are there because they’re gaining experience), but the Fanny Price I saw, Morgana Warren-Jones, is both a gifted actress and a quality singer.” - Theatre Reviews North
